Although I am a proud fan and advocate of the colour blue and of cool tones, in this case I have adapted the sublime and warm red of a flower's depth to develop this edition of a wet and transparent glass as the protagonist.
With a subtle and delicate lighting, the crystals and the leaves are harmonized into a symmetry of equal and parallel tones.
The flower in the background was treated with painting themed programmes.
The water is there to be seen and it soaks the scene with crucial and strategical dots.
The natural leaves that are not green are corresponding to the current austral autumn.
There's a motion that is detached from the natural gravity that makes all the elements act for a kind of theatrical scene.
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